I AM A WEDDING PHOTOJOURNALIST
I approach weddings with the aim of recording what’s in front of me: no constant set-up shots or interventions by the photographer. My photography is a reflection of your day not an imposition upon it.
My background is national newspapers and magazines. I spent more than ten years at The Times who I joined immediately after completing my Postgraduate studies in Photojournalism at the London College of communication (then the LCP). I learned the hard way – on the job where there are no second chances, no opportunities to recreate the news events unfolding in front of you. Every day was different. I once went from shooting backstage at a Royal Ballet performance to the aftermath of a devastating bomb on a London street. But I covered it all: from portraits of the Prime Minister at No 10 to extraordinary days documenting rare paeolithic engravings in a remote Portuguese canyon to shooting a beekeeper at work on the rooftop of the Opera House in Paris.
From a microlight flying over the English Channel or inside a speeding rally car in a Scottish forest, too unobtrusive reportage inside a Carthusian monastery. Every day was different and full of exciting challenges – making the best images no what matter what and delivering them on deadline to a demanding picture desk. I bring this unrivaled professionalism to my wedding photography. I have shot 500+ weddings.
Weddings have it all. The characters, the emotions, the atmosphere and those wonderful, extraordinarily chaotic moments. It’s a dramatic storyboard before me, ready to be recorded. I’m a storyteller that watches, observes and anticipates. I make images that will provide an honest, natural and beautiful visual record of your one very special day.
SO WHY SHOOT A WEDDING AS A PHOTOJOURNALIST?
For me the thrill of photography is searching out and capturing moments. Freezing them in time.
That is the power of photography and reportage. It’s the thrill of the chase, seeking out and fixing for posterity, striking, timeless images. Being a wedding photojournalist gives me this in abundance.
Being given the freedom to shoot weddings in this storytelling manner is what attracted me to such special occasions. Weddings have it all. The characters, the emotions, the atmosphere, the details, the moments. It’s a dramatic storyboard there in front of me, ready to be recorded. To watch, observe, anticipate and then compose images that mean so much to my clients. Merging into the background with the camera. The photography reflects the day, rather than impose upon it with lengthy portrait sessions or traditional setups.
AWARD-WINNING WEDDING PHOTOJOURNALISM
I was also named as the winner of the Wedding Photographer of the Year (London & the South-East) title, in the regional finals of The Wedding Industry Awards 2015 and 2016. An award, in the largest regional category, based both upon client votes and reviews and the photography, as a body of work over the year, not just one image, like many awards.
Also in 2015 and 2016, I was awarded the Highly Commended prize in the Wedding Photographer of the Year category in the national finals – in effect, the silver medal, both years
It’s an honest style of wedding photojournalism, without gimmicks or photoshop manipulation.
I was also one of four judges, from around the world, in the Summer 2016 contest of the International Society of Professional Wedding Photographers (ISPWP) – judging over 5000 entries from wedding photographers from across the globe.
At the end of the day, the images have to do the talking. It’s what makes each photographer different. Their way of seeing, their vision. If you think my ‘eye’, this documentary wedding photography approach, would fit your wedding day – please do get in touch.
Born near Manchester. (My ancestors were blacksmiths in Shropshire it seems). My family moved south when I was nine. Still got a few flat vowels though…’castle not carstle, bath not barth’…it amuses my London born children.
Live in Sussex. Married (my wife is a writer), three children and a dog (labrador/whippet cross). I studied art history at Manchester University, though spent most of my time in the community darkroom in Manchester. Followed by an intensive photojournalism course at The London College of Printing. I started shooting for The Times after a week’s work experience there, days after finishing the course – my first job.
My work has appeared in publications such as Time magazine, The Financial Times, Wall Street Journal, The Independent, The Daily Telegraph, The Observer, Barron’s magazine, Institutional Investor, amongst others. I have always been a photographer – only job I’ve had. Third generation Stoke City FC supporter.
Hobbies – ferrying my children to and from various sporting events, etc. (it seems). Taking pictures. Walking the dog, which is most of my instagram feed….and, like the vast majority of couples who hire me, I’m camera shy too, so here’s one from many years ago……